Back to School with Kinesiology at Ashland Institute of Massage!
My ongoing obsession with knowing specifically the origin, insertion, action and shape of muscles has led me to take a rather in-depth kinesiology class. Over 100 class hours, plus out of class study time will keep me busy til April. And, of course I’m translating a lot of this stuff from massage application to artist application. I feel so fantastic when I’m in a class I love.
My favorite working method is having the model come to your studio many days in a row (nine sessions, unless I lost count) – instead of the way I used to work, which was have the model come once a week for a number of weeks. When you have the model in the room everyday, you don’t forget which pigments you were using, where things were set up and what your goals are.
This floral still life is featured in my show this month at the Ashland Painters Union. The flowers come from Fry Family Farm – carnations and green zinnias. The acorns and sticks from my neighborhood and you might recognize the painting in the back ground.
Come one, come all – I’m showing new work at the Ashland Painters Union (27 1/2 N. Main St, Ashland – on the Plaza – Up the stairs between Gold and Gems and Cracker Jax) during September. The show opens First Friday Sept from 5 – 8 pm (or later if the party is super fun).
These pieces are all made within the last few months with the exception of one drawing, which was made last year. It’s a survey of what I like to paint and reflects my head space in the last 9 or so months. I quit my day job and have just mellowed out, enjoyed the slow lane a little more this year and the results can actually be seen in my artwork.
I’ll post a piece or two from the show each day or so as a preview leading up to the opening.
These roses grow in my back yard. Their name is Fantin Latour and all you art nerds know Fantin Latour is the best painter of flowers ever – French 19th Century guy, friends with Manet and that crew. I drool and cry over his paintings and I think you can see a nod to him in this piece.
The actual rose bush has a bit of a good back story – it blooms ONE time a year, but those blooms are lovely and smell wonderful. Rogue Valley rose nerds will guess where this bush came from – the amazing Rogue Valley Roses has hundreds if not thousands of roses on their own root stock in fantastical varieties. This great business is the labor of love of my old English teacher, Janet Inada.
I just got back from a visit to San Francisco where I went to the De Young museum to see the Girl with a Pearl Earring show, along with Etching from Rembrandt and his contemporaries. I found it very inspiring, especially all the etchings, they are so intricate and invite you to spend several minutes with each piece, I was surprised to find them even more engaging than many paintings. The etching pieces varied in technical ability, some being astonishing in their technical prowess and some (the Rembrandts) were stunning in their communication of humanity and emotion. There were goofy ones, ones that glorified the state, religious scenes that were moving (Rembrandt), religious scenes that were like crazy pageants, simple home scenes, landscapes and on and on. Then came the paintings – wonderful banquet tables with meats and lemons and cloth, the flowers that I so love and the stunning Vermeer. That Vermeer is absolutely wonderful. (Side note: Like the Mona Lisa, she has no eyebrows.!? Curious.)
I quit my day job! As of May 1, I’m a full time artist. Yikes! (Just kidding, I’m not really scared about it. Feels great.) I’ve been painting up a storm outside, lots to scan and show, but for now here are a few new drawings.